Ceramic pieces that have been formed but have not yet been fired are referred to by a specific term. This state represents the unfired clay body, possessing significant fragility. At this stage, the piece retains a high water content, making it susceptible to damage from handling or environmental changes. An example would be a freshly thrown vase, dried but awaiting its initial firing.
This stage in the ceramic process is critical because it allows for the final shaping and refining of the piece. Imperfections can be addressed and decorative elements added. Historically, understanding the properties of the clay at this unfired stage has been essential for minimizing breakage and ensuring successful firing. The careful manipulation of the clay at this juncture directly impacts the structural integrity of the finished ceramic object.